ARARIO GALLERY SEOUL
B1F, 85 Yulgok-ro, Jongno District, Seoul
ARARIO GALLERY SEOUL examines the questions of digital image circulation within the frameworks of institutions and the market. Since its founding in 1989, the gallery has sought to establish the identity of Asian contemporary art in an international context, and for this showcase it presents Insane PARK. The artist critically exposes the stability and hierarchy of art institutions by dismantling both the surplus of images and the authority of established systems. Works such as Burning Down the Museum, staged as a fictional live-streamed fire at the National Museum of Modern and Contemporary Art, and recent vandalism-inspired installation projects in Thailand, demonstrate how digital images can operate not merely as representations but as agents that unsettle institutional power and social norms. Through this, ARARIO GALLERY SEOUL raises fundamental questions about how digital art can be received and circulated within institutional and market structures.
ARARIO GALLERY SEOUL examines the questions of digital image circulation within the frameworks of institutions and the market. Since its founding in 1989, the gallery has sought to establish the identity of Asian contemporary art in an international context, and for this showcase it presents Insane PARK. The artist critically exposes the stability and hierarchy of art institutions by dismantling both the surplus of images and the authority of established systems. Works such as Burning Down the Museum, staged as a fictional live-streamed fire at the National Museum of Modern and Contemporary Art, and recent vandalism-inspired installation projects in Thailand, demonstrate how digital images can operate not merely as representations but as agents that unsettle institutional power and social norms. Through this, ARARIO GALLERY SEOUL raises fundamental questions about how digital art can be received and circulated within institutional and market structures.